Hong Sik-Kim

Intergrown Trees, 2025 Intergrown Trees, 2025

Wheiza Kimโ€™s practice begins with an exploration of the human mind through the landscape of nature. Trees and wood grain, wind and waves serve as ways in which nature records traces of time and life, while mirrors symbolize the human mind through which the world is perceived and interpreted. By incorporating mirrors into the surfaces of her works and connecting their fronts and backs, interiors and exteriors, Kim creates spaces in which reality and image, the visible and the invisible, and consciousness and the unconscious overlap.

Wind of Legend, 2025 Wind of Legend, 2025

Wheiza Kimโ€™s practice begins with an exploration of the human mind through the landscape of nature. Trees and wood grain, wind and waves serve as ways in which nature records traces of time and life, while mirrors symbolize the human mind through which the world is perceived and interpreted. By incorporating mirrors into the surfaces of her works and connecting their fronts and backs, interiors and exteriors, Kim creates spaces in which reality and image, the visible and the invisible, and consciousness and the unconscious overlap.

A pray for sublimation, 2022 A pray for sublimation, 2022

Wheiza Kimโ€™s practice begins with an exploration of the human mind through the landscape of nature. Trees and wood grain, wind and waves serve as ways in which nature records traces of time and life, while mirrors symbolize the human mind through which the world is perceived and interpreted. By incorporating mirrors into the surfaces of her works and connecting their fronts and backs, interiors and exteriors, Kim creates spaces in which reality and image, the visible and the invisible, and consciousness and the unconscious overlap.

Exhibitions

Exhibitions ใ€ŠPsychological Scenery: Homage to Tree Soulใ€‹, 2025.11.26 โ€“ 2025.12.31, Moran Museum of Art Youngeun Museum of Contemporary Art presents Wheiza Kimโ€™s solo exhibition ใ€ŠPsychological Scenery: Homage to Tree Soulใ€‹. Through a spiritual communion with nature, Kim reads stories that remain unseen and conveys them through her paintings. 2025.11.26
Exhibitions ใ€ŠAn Eternal Epic Inscribed in Wood Grainใ€‹, 2022.06.08 โ€“ 2022.06.29, Kumoh National Institute of Technology Gallery Kumoh National Institute of Technology Gallery presents ใ€ŠAn Eternal Epic Inscribed in Wood Grainใ€‹, an invitational exhibition by Wheiza Kim, through June 29. The exhibition features fifteen paintings. 2022.06.08
Exhibitions Recent Works by Wheiza Kim ใ€ŠKaleidoscopicใ€‹, 2008.07.03 โ€“ 2008.07.20, Gallery Seojong Currently living and working in New York, Wheiza Kim was one of the prominent Korean women artists of the 1980s and was highly active in Seoul. Beginning with an invitational exhibition at the East-West Cultural Studies Gallery in 1993, she held a number of solo exhibitions while traveling between Seoul and New York. 2008.07.03
Exhibitions ใ€ŠEpics-written by treeใ€‹, 2021.03.20 โ€“ 2023.04.11, Youngeun Museum of Contemporary Art As part of the Youngeun Artist Project, Youngeun Museum of Contemporary Art presents ใ€ŠEpics_written by treeใ€‹, a solo exhibition by Wheiza Kim, a member of the 11th Youngeun Artist-in-Residence Program, from March 20 through April 11. 2021.03.20

Critiques

Critiques

The Flรขneur; A Stroll through the City

โ€˜Flรขneurโ€™ is a French word meaning the person who walks the street idly. With a huge project to develop the city in the mid-19th century, Paris underwent substantial changes. Old appearance of the city in the Middle Age had gone and high buildings, wide roads, classy cafรฉs, restaurants, and theaters came. As the entire city changed in its appearance, the livelihood of the people also changed and their lives started to undergo unfamiliar changes. The people who witnessed this phenomenon in changing Paris were called โ€˜Flรขneurโ€™, a person who takes a stroll, Charles Baudelaire who lived from 1821 to 1868 said. The city was not the space for people to live but just the landscape as the subject people looked at. The people who lived there became the spectators who took a contemplative view on the urban landscape changing while being separated from their lives. The work of Kim Hong Shik is to start observing and recording the change and movement modern cities undergo as this eraโ€™s โ€˜Flรขneurโ€™ and to study and understand the city as the place our modernity is realized.

2011

Artist Note

Artist Note

Interview with Modern Buddhism Magazine (June Issue)

Living Void, Triangle, Slavoye ลฝiลพek, Black House, Memory Treasury of Obsession, Friedrich Nietzsche, Kaleidoscope, Yogฤcฤra, Zen Buddhism, Surrealism, Renรฉ Magritte, Children's "Aha" Experience, Identity, Wonhyo, Mangong, Sondam Monk, Fairy Tale Book, Eric Fromm, Bill Viola, Ryu Si-hwa, Kahlil Jiburan, No Time No Place, Paul Tillich, Postmodernism...

2015

Artist Note

Living by working.

Humans are beings with instinctive desires, intentions and goals to be educated, and each person is an isolated being living within walls of cultural prejudice, delusions, and obsessions. However, wherever God exists, no matter how fiercely humans compete and complicate life, nature silently embraces life and delivers messages of true life, while modern hearts are closed off by thick walls of desire and obsession, making it difficult for even the slightest current to pass through.

2011

Artist Note

Wheiza Kim - Interview 2008 on Vimeo.

Wheiza Kim - Interview 2008 on Vimeo.

2008

Videos

Videos

Wheiza Kim - Interview

Window to Asian Art

2008

Videos

Psychological Landscape_Celebrating the Soul of Trees

Yeongeun Museum of Art Special Exhibition 2023

2020

Videos

Contemplation

LALUNA Meta Gallery

2023

Press

Press

Artist Review

SpaceWorld

2006.06.24

Press

Korean Artists in New York (7) โ€” Painter Wheiza Kim

Park Jong-won | The Korea Daily Reporter

2008.06.14

Press

[Asian Art News] Wheiza Kim at Gallery Dโ€™Arte

Robert C. Morgan | Art Critic

2016

Press

[Art in Culture] Two Perspectives on Everyday Life

Kim Bok Young | Art Critic

2008.08

Activities

Activities Activities 3 They say that salmons spend their lives in the vast ocean, yet when the time comes to spawn, they return to the very maternal rivers where they first hatched and departed. After laying their eggs, they exhaust their entire being for the next generation, ultimately facing death. It is said that only about half of those newly hatched fry manage to survive the journey back to the ocean. What is it that compels them to undertake a voyage defined by such mortal peril? Where was this primal nature nurturedโ€”this instinct driving them to brave the immense and treacherous seas, knowing the fatal cost? 2026.07.14
Activities Activities 4 They say that salmons spend their lives in the vast ocean, yet when the time comes to spawn, they return to the very maternal rivers where they first hatched and departed. After laying their eggs, they exhaust their entire being for the next generation, ultimately facing death. It is said that only about half of those newly hatched fry manage to survive the journey back to the ocean. What is it that compels them to undertake a voyage defined by such mortal peril? Where was this primal nature nurturedโ€”this instinct driving them to brave the immense and treacherous seas, knowing the fatal cost? 2026.07.14
Activities Activities 2 They say that salmons spend their lives in the vast ocean, yet when the time comes to spawn, they return to the very maternal rivers where they first hatched and departed. After laying their eggs, they exhaust their entire being for the next generation, ultimately facing death. It is said that only about half of those newly hatched fry manage to survive the journey back to the ocean. What is it that compels them to undertake a voyage defined by such mortal peril? Where was this primal nature nurturedโ€”this instinct driving them to brave the immense and treacherous seas, knowing the fatal cost? 2026.07.14
Activities Activities 1 They say that salmons spend their lives in the vast ocean, yet when the time comes to spawn, they return to the very maternal rivers where they first hatched and departed. After laying their eggs, they exhaust their entire being for the next generation, ultimately facing death. It is said that only about half of those newly hatched fry manage to survive the journey back to the ocean. What is it that compels them to undertake a voyage defined by such mortal peril? Where was this primal nature nurturedโ€”this instinct driving them to brave the immense and treacherous seas, knowing the fatal cost? 2026.07.14